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      <image:title>Home - JAMES ILGENFRITZ</image:title>
      <image:caption>Composition Bass Composer and bassist James Ilgenfritz is recognized in the New Yorker for his “characteristic magnanimity” and his “invaluable contributions to New York’s new-music community.”</image:caption>
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      <image:caption>You Scream a Rapid Language collects recent chamber works, and features Pauline Kim Harris, Conrad Harris, William Winant, Thomas Buckner, Kathleen Supové, Margaret Lancaster, and Joseph Kubera, and was noted in The Wire for its “glint of mischief” and ability to “foreground the performative and gestural elements of music making.”</image:caption>
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      <image:caption>Hypercoolor (Lukas Ligeti, Eyal Maoz, James Ilgenfritz) - S/T (Tzadik)</image:caption>
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      <image:caption>James Ilgenfritz “The Ticket That Exploded” (2011) cut-up opera based on text by William S. Burroughs (Infrequent Seams)</image:caption>
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      <image:caption>Lea Bertucci “Resonant Field”</image:caption>
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      <image:caption>Trust Fall</image:caption>
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      <image:caption>Forever House (Meaghan Burke, James Moore, James Ilgenfritz, Pete Wise) - “Eaves” (Infrequent Seams)</image:caption>
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      <image:caption>You Scream A Rapid Language - featuring Pauline Kim Harris &amp; Alex Cohen, James Moore/Kathleen Supové/Jennifer Choi; Thomas Buckner/Joseph Kubera/William Winant/James Ilgenfritz; String Noise (Pauline Kim Harris &amp; Conrad Harris)</image:caption>
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      <image:caption>Music of Anthony Braxton performed on solo contrabass, recorded 2011, released in 2012</image:caption>
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      <image:caption>Liturgy - Origin Of The Alimonies (2020) Music of Hunter Hunt-Hendrix</image:caption>
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    <lastmod>2020-12-30</lastmod>
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    <lastmod>2021-05-05</lastmod>
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    <lastmod>2021-05-15</lastmod>
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      <image:caption>Issue Project Room 2017 photo by Peter Gannushkin</image:caption>
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      <image:caption>photo taken at Human Resources in Los Angeles, by Jennifer Bewerse</image:caption>
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      <image:caption>Tenney and Oliveros with Katie Eikham, for Music For Your Inbox</image:caption>
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      <image:caption>with Roscoe Mitchell, George Lewis, Sarah Schoenbeck, Lucie Vítková, Chris Nappi, and Thomas Buckner for SEM Ensemble</image:caption>
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      <image:caption>Performing Benjamin Patterson's "Variations for Double Bass" in Ostrava, Czech Republic</image:caption>
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      <image:caption>Anagram Ensemble at James Stone Residency</image:caption>
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      <image:caption>Anagram Ensemble with M Lamar at National Sawdust</image:caption>
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      <image:caption>Performing Benjamin Patterson's "Variations for Double Bass" at Ostrava Days 2019</image:caption>
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      <image:caption>Erased Architectures at Issue Project Room, 2016. Photo by Peter Gannushkin</image:caption>
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      <image:caption>Performing Chaya Czernowin's Guardian (Séverine Ballon, soloist) at Ostrava Days 2019</image:caption>
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      <image:caption>Erased Architectures at Issue Project Room 2017, with video by Yuri Zupancic</image:caption>
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      <image:title>Photo Gallery</image:title>
      <image:caption>Erased Architectures at Issue Project Room 2017, with video by Yuri Zupancic</image:caption>
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      <image:caption>Photo by Peter Gannushkin, 2017</image:caption>
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      <image:caption>Anagram String Trio perform Petr Kotik's "Music For 3" at Roulette (photo from New York Times)</image:caption>
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      <image:caption>Backstage at premiere of "Blue" Gene Tyranny's "Songs From Aphasia"</image:caption>
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      <image:caption>Recording session for Origami Cosmos, with JG Thirlwell at Seizure's Palace</image:caption>
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      <image:caption>With Rufus Reid</image:caption>
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      <image:title>Photo Gallery</image:title>
      <image:caption>Performing Benjamin Patterson's "Variations For Double Bass" at Ostrava Days 2019</image:caption>
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    <image:image>
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      <image:title>Photo Gallery</image:title>
      <image:caption>Performing Benjamin Patterson's "Variations For Double Bass" at Ostrava Days 2019</image:caption>
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    <lastmod>2020-08-05</lastmod>
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    <lastmod>2020-12-30</lastmod>
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    <loc>https://www.james-ilgenfritz.com/infrequent-seams</loc>
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    <lastmod>2021-01-13</lastmod>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>SUPPORT - SUPPORT JAMES AT INFREQUENT SEAMS</image:title>
      <image:caption>Make a donation to INFREQUENT SEAMS via TheField.org Infrequent Seams is a sponsored artist with Performance Zone Inc (dba The Field), a not-for-profit, tax-exempt, 501(c)(3) organization serving the performing arts community. Contributions to The Field earmarked for Infrequent Seams are tax-deductible to the extent allowed by law. For more information about The Field contact: The Field, 75 Maiden Lane, Suite 906 New York, NY 10038, phone: 212-691-6969; or for our national charities registration, see details. A copy of our latest financial report may be obtained from The Field or from the Office of Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271.</image:caption>
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